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Cid Corman Reads William Carlos Williams
Cid Corman was a fine poet in his own write, but he was also a great and essentially selfless promoter of other poets, not just through his editorship of Origin magazine (founded in 1951), but through his many translations and his quirky, insightful essay on poets and poetry. What’s more, in 1949 Corman co-founded America’s first poetry radio program, This Is Poetry, at WMEX (1510 kc.) in Boston.Read More
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A Place for the Genuine
If someone had told me in 1972, when I was 21 and about to graduate from the University of Northern Colorado, that one day a poem I had recently published would appear in an anthology alongside works by Thomas Merton, Charles Olson, Paul Blackburn, Gary Snyder, Diane Di Prima, Robert Kelly, Edward Dorn, Diane Wakoski, and—wait for it—Stephen King … well, I would have told that someone to take a hike.Read More
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Folderol Stew
Ever wonder why even the best American poetry draws so little attention from the public at large? There are lots of reasons, of course, but today’s sermon deals with just one: the dreadful quality of writing about poetry. Compare the 11,000 words Susan M. Schultz lavishes on Charles Bernstein here with the 3,850 words James Salter devotes here to Paul Hendrickson‘s new book on the last 27 years of Ernest Hemingway‘s life. Salter beguiles; he makes me want not only to read Hendrickson but to reread Hemingway.Read More
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Ted Hughes’s “The Thought-Fox”
I remember a luminous floating breathlessness the first time I read this poem, in the dusty yellow light of the cage I worked in (a literal cage: one chainlink wall separated my gray metal desk and the cramped, brown-and-tan linoleumed room it sat in from a store-room where crippled book trucks awaited repair amid stacks of gray metal shelving and the hulks of gray metal file cabinets whose drawers were too battered to close). This was 1970.Read More