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Cid Corman Reads William Carlos Williams
Cid Corman was a fine poet in his own write, but he was also a great and essentially selfless promoter of other poets, not just through his editorship of Origin magazine (founded in 1951), but through his many translations and his quirky, insightful essay on poets and poetry. What’s more, in 1949 Corman co-founded America’s first poetry radio program, This Is Poetry, at WMEX (1510 kc.) in Boston.Read More
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Immodestly Noted
Order on Amazon Succinct The Broadstone Anthology of Short Poems edited by Jonathan Greene and Robert West Broadstone Books 418 Ann Street Frankfort, Kentucky 40601-1929 My contributor’s copies came in the mail yesterday, and oh my—what are the odds that an off-the-main-map poet like me would find himself among such company? Somewhere between Anonymous and Zukofsky, within hailing distance of Archilochus, Arnold, Brandi, Bunting, Heaney, Kinnell, Niedecker, Rosenow, Villon, three Williamses (Jonathan, Miller, and William Carlos), and yes, Willie Yeats. This gave me a strange sense of elation, enhanced by the beauty of the physical book itself.Read More
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A World of Things
Bill Knott asks some important (to the extent that poetry is important) questions here and here. His focus is Objectivism (the Zukofsky/Williams/Reznikoff/Oppen Objectivism, not the hilariously stupid “philosophy” cooked up by that maven of selfishness, Ayn Rand), one of the root assumptions of which is the notion that content doesn’t matter. In fact, Objectivist poetry exalted a world of things, a world without meaning—except for the significance imposed upon it by the poet.Read More
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In Praise of Intention
Imagine you’re strolling past the bus station in downtown Eugene, Oregon. (Never been to Eugene? Doesn’t matter.) You glimpse something on the ground in a shadowed area near a public trash receptacle and veer toward it for a look. An oblong something, larger than a cell phone, but not readily identifiable. You bend and pick it up. A device of some kind, with a mostly black plastic shell; there are several half-worn-off letters on the shell: GLATSKI.Read More
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Poets and Their Audience
Seth Abramson, whose poems I’ve seen here and there and been very impressed by, has a new blog post that extends some previous ruminations on the question of the poet and the audience, although under the rubric of “The State of the Small Presses.” This new post it really doesn’t have much to do with the stated topic, but frankly I think that’s good: we must always begin with the poet/audience equation.Read More
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The Poetic-Critical Complex
This is an expansion of my response to a comment from Reginald Shepherd regarding one of my posts below: I’ve never developed a settled opinion on the relationship between poetic complexity and poetic durability. Do Shakespeare’s sonnets trump Michael Drayton’s because they are more complex? (They are more complex both conceptually and rhetorically.) And if so, are we to value Conrad Aiken above William Carlos Williams, for example, or Louis Zukofsky above Philip Levine? These are ultimately questions involving The Canon and the people in charge of it. I do not mean you and me, of course.Read More
Joseph Hutchison, Colorado Poet Laureate 2014-2019, has published 20 collections of poems and edited or co-edited three poetry anthologies. He currently directs two master’s-level programs for University College at the University of Denver: Professional Creative Writing and Arts & Culture Management. Joe lives with his wife, Melody Madonna, in the mountains southwest of Denver, Colorado, the city where he was born. 
