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Adventures in Reading 2022
PART ONE: DISTRACTION AND ENCHANTMENT 2022 was unkind to my habit of reading lots of books. Partly my paid work was to blame: growing pains (which I am too old for) of the professional kind. Then there was the several weeks I wasted on Thomas Mann‘s Doctor Faustus, which I had to abandon. What drudgery! What a distraction! I’d read and admired a number of Mann’s short stories, but Doctor Faustus struck me as all posturing, a ponderous performance with no point in sight, almost every moment of it arriving via second- or third-hand reports about Mann’s fictional, Schoenbergian composer, Adrian Leverkühn.Read More
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A Ballet Inspired by Caroline Randall Williams’ Collection of Poems
The Robert and Judi Newman Center for the Performing Arts at the University of Denver proudly presents the Nashville Ballet Tuesday, March 29, and Wednesday, March 30 at the June Swaner Gates Concert Hall. Tickets start at $29 (plus applicable service fees) and are on sale now at newmancenterpresents.com or by phone at 303.871.7720. The nationwide tour of Lucy Negro Redux features music performed live by Grammy Award-winning artist Rhiannon Giddens and Francesco Turrisi along with spoken word by NAACP Image Award-winning author Caroline Randall Williams.Read More
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James Wright: A Life in Poetry
I just finished Jonathan Blunk‘s powerfully moving biography, James Wright: A Life in Poetry. It is everything a great biography should be: a delicate balance between passing time and the abiding genius that seems to irrupt from a region outside of time. Given his family background, Wright was a person who should never have fallen in love with language, but thanks to some sensitive and insightful early teachers, he did, and so we have the opportunity when we read him to fall in love with it in poem after poem.Read More
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Stupid Stupid Shakespeare
Remember the children’s books about a family named the Stupids? Evidently one of their descendants has landed a blogging gig at Harriet—a fellow we’ve met before: K. Silem Mohammad. His latest post is hard to beat for sheer stupidity. The irony, of course, is that our blogger resorts to actual compositional writing in order to praise a book called Words of Love for being “beyond the usual condition of appropriational recycledness”—a book, that is, of surpassing stupidity.Read More
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Adios, Evan S. Connell
Evan S. Connell The death of Evan S. Connell hasn’t received much comment. The obituaries I’ve read (such as here, here and here) all seem to be drawn from an ur-version of obscure provenance. It’s easy to recite the outward details of a writer’s life, of course—birth and death dates, years of publication, special successes and awards. But at the center of all the facts stands the work, as rich as any produced in the past 60 years, and a man who never cared to write a tell-all or even comment much on his work.Read More
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Friday Notebook 10.28.11
I’m turning over the first of my notebook entries today to a rant—a brief one—in response to this article by Stephen Marche. The author uses Roland Emmerich‘s film “Anonymous” (which I haven’t seen) to attack what is known as the Oxfordian view of Shakespeare: in a nutshell, the notion that the plays were written not by the man from Stratford but by Edward de Vere, the 17th Earl of Oxford. I have written about this here before, so my views on the matter are clear.Read More
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Doubt About Will
Two traditionalist Perpetual Birders (yes, Chris and Conrad, this means you) have posted thoughtful comments on my previous post about the Shakespeare authorship controversy. Everyone with an interest in the subject should follow their links and compare the extent and quality of their evidence with the evidence for Edward de Vere (the 17th Earl of Oxford) as the true author the works we know as Shakespeare’s (links here). In the meantime, here’s a statement in favor of something quite simple: doubt.Read More
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Vowels and Consonants and Breath (Oh My)
Rishidev Chaudhuri takes a revealing “Ramble Through Vowels and Consonants,” and his discoveries are worth every poet’s time to read. I’m especially taken with the observation that vowels are formed by shaping airflow, while consonants are formed by restricting or interrupting airflow. These physical actions have emotional dimensions; I don’t mean rigid correspondences, but somewhat fluid relationships. We don’t grieve in consonants (Lear: “No, no, no, no! Come on, let’s go to prison”), and we don’t express anger in vowels (Malcolm to Macduff: “Let grief / Convert to anger; blunt not the heart, enrage it”).Read More
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Nothing Is Truer than Truth (UPDATE)
Regarding my earlier post regarding the documentary film-in-progress on the subject of the real person who wrote under the pseudonym of “Shakespeare” … I just received this happy news: “Shakespeare” and Edward de Vere Dear friends: As a postscript to the last email Bulletin, I would like to extend a note of thanks to the 84 donors (and counting!) to the “Shakespeare” By Another Name-inspired documentary (Shakespeare in Venice: Nothing Is Truer Than Truth). As of 12:20 p.m.Read More
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Nothing Is Truer than Truth
Only 58 hours left to help fund this much-needed project, based on Mark Anderson’s “Shakespeare” By Another Name. My friend Joe Nigg calls this one of my “hobbie-horses,” but it’s an utterly serious issue.Read More
Joseph Hutchison, Colorado Poet Laureate 2014-2019, has published 20 collections of poems and edited or co-edited three poetry anthologies. He currently directs two master’s-level programs for University College at the University of Denver: Professional Creative Writing and Arts & Culture Management. Joe lives with his wife, Melody Madonna, in the mountains southwest of Denver, Colorado, the city where he was born. 
