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Excerpts from a Manifesto (1924)
I put this post together last year, while writing my annual Adventures in Reading post. Then I forgot to post it! So, for your reading pleasure, a few excerpts from “Surrealism Manifesto,” by Yvan Goll (October 1, 1924), translated by Nan Watkins and published in full in The Inner Trees: Selected Poems of Yvan Goll, edited by Thomas Rain Crowe. Much wisdom here! Reality is the basis of all great art. Without it there is no life, no substance. Reality is the ground under our feet and sky over our head.Read More
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Dismissive
Comment streams on blogs are often where the action is, but sometimes it’s where the posturing is, where authoritative-sounding voices make cryptic and/or designedly outrageous statements, without fear of being asked to … well, support their views. Case in point: a commentator named Iain Keenan wrote this in reply to Silliman’s post today: “Robert Bly did a lot more damage to the European and Latin poets he advocated than the ones he criticized.” This in the context of some sort of defense of Surrealism. In the hope of figuring out exactly what Mr.Read More
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Reginald Shepherd and the Surrealist Project
Over the past two weeks Reginald Shepherd has put up a provocative four-part series of posts on the subject of “Avant-Garde and Modern.” I won’t summarize his argument, since each part is available here—part one, part two, part three, part four— and the whole series deserves a careful reading. However, there is a key element of Reginald’s premise that I need to dispute. He comes by honestly, because the touchstone for his posts is the work of a German art theorist named Peter Bürger.Read More