Last night I had the luminous experience of reading beside Ernesto Cardenal. This was a hastily put together event on the Regis University campus, in the St. John Francis Regis Chapel. Despite the late notice of Cardenal’s appearance (most folks didn’t hear about it until the day of the event), an audience of 50 or so mostly young people turned out to hear him.
My old friend Victoria McCabe had emailed me the previous afternoon to ask if I could help out by reading the English versions of Cardenal’s poems. The poet wanted his poems read by another poet. Would I consider it? Silly question. I told her yes, and so last night I found myself sitting at the table pictured below. (Because I was at the table myself I didn’t get a shot of everyone during the reading. I’m hoping an audience member or two captured the scene and will send me the photo so I can replace this one.) The plan was that I would read the English version of each poem first, after which Cardenal would read the Spanish original.
Sitting beside Cardenal was a privilege, and I was especially grateful that he’d chosen to read exclusively from Cosmic Canticle, because I had read straight through it twice—in John Lyons’ excellent translation—and so had a decent grasp of the poet’s tone, his humor, his fondness for sudden shifts in register, and his overall spirit of gratitude and celebration. Overall, I think the evening went well, though I have to admit to some concern when I first met Sr. Cardenal. I tend to think of writers I love as being eternal, but Cardenal turned 90 this past January, and Colorado’s altitude was affecting him. He was on oxygen and walked with a four-footed cane. He slumped slightly at the table as I’d read a poem in English, but when his turn came he seemed to straighten; an invisible energy would rise through him and pour out in a fiercely cadenced Spanish. His hands lifted with the rhythms, or stabbed the air, or lightly slapped the table. Sometimes he’d make an introductory statement, which Fernando (sometimes in consultation with Martina) would translate into English, and when the translation was done Cardenal would point his maestro’s finger at the page in front of me: Begin!
It’s for members of the audience to judge how I did. Personally, I felt like I was speaking in a dream, and I have no idea whether I did well or poorly. Though when it was over, Ernesto (by then he seemed Ernesto to me) shook my hand and smiled, then kindly signed my copy of Cosmic Canticle. When we posed for this picture, he put his arm around me and gave me a hug. Hence the look of cockeyed self-satisfaction on my face!
Terrific; wish I could’ve been there. (Give my regards to Victoria sometime.) Never met him, but might if I’d gone to Managua in the early 80s, I wrote a poem called “Rosa y Mariposa Hermosa, y Fosa,” published in my book American Fires, published in 2003 (first written twenty years earlier, and in manuscript rejected mostly everywhere before my friend Christopher Howell’s Lynx House Press published it).
Just back from Cleveland. Feel deprived to have missed this “duet.” And you don’t look smug, You look like you’re purrrrring. Who wouldn’t be? You’re amazing, Mister Joe.
A fantastic experience for your audience, Joe. I first met Fr. Ernesto (“Thou art a priest forever”) in Nicaragua twenty-five years ago. A dynamic poet and a fine human being dedicated to social justice and liberation. Yes, a much better poet than Pound. I agree. Certainly a much better human being. I would say more a combination of Octavio Paz and Bernie Sanders, although his own unique self. Thanks so much for sharing this. I hope someone recorded it all and will post on YouTube. It sounds like it was a memorable reading.
What an amazing opportunity and experience. I’m so proud of you and the way you have always followed your passion.
You’re everywhere, and your enthusiasm is boundless.
Love it! What a priceless experience!