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Tiny Houses Spacious as Mansions
As with my previous Peter Handke post, I’m sharing enough of this remarkable collection by Samuel Menashe to give a sense of his work without giving away too much. I first encountered Menashe several years ago, when I volunteered to record books for the Colorado Talking Book Library. My first assignment was unenviable: a rather standard textbook focused on reading and interpreting poetry.Read More
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Delicious Advice for Aspiring Poets
From the inimitable Wisława Szymborska, Nobel Prize-winning Polish poet who produced a column for a newspaper called Literary Life. She answered letters from everyday people who wanted to write poetry—a sort of “Dear Wisława” relationship that she handled with intelligence, humor, and care. Here are a few selections from her column, translated by Clare Cavanagh and courtesy of The Poetry Foundation.Read More
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Why Does This Feel So Heartening?
Because it’s like the Good Versekeeping Seal, I guess. Click here for the actual virtual page.Read More
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(UPDATED) Second verse . . .
. . . same as the first.* Nothing against Don Share, of course. But “[a]fter an extensive national search” … really? Still, what could we expect from an organization whose “incoming president” could—with a straight face, I’m sure—remark, “Don Share represents significant change as well as continuity.” Just as Poetry Magazine represents good poetry as well as bad, I suppose. Still, maybe along about January I’ll re-up to see if Mr. Share’s editing “bears the handprint of necessity” (to steal the luminous phrase that Laurence Lieberman, I believe, once used in a review to describe W. S.Read More
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Avant-Chunks
“I like the idea of inspiration as regurgitated output. I’m stealing all these ideas from you, I hope you know, so don’t get mad when you see the regurgitated output … uh, I mean ‘inspiration’….” –“Poet” Sharon Mesmer in a Harriet interview with Edwin Torres. Torres prefaces his chat with Mesmer by claiming that her “poem” entitled “This Poem” “shows a fabulous breadth of poetics.” Since the “poem” is a flarf assemblage of stolen phrases, this is like praising a burglar’s storage unit for showing a fabulous breadth of commodities. The comparison of poetics and commodities is appropriate.Read More
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Martin Earl on Günter Grass … and More!
Martin Earl Apropos of my earlier post on the controversial poem “What Must Be Said,” by Günter Grass, I want to direct all Birders to Martin Earl’s lucid Harriet post on the subject. It’s well worth pondering…. It’s also worth wondering why, with the single exception of Earl’s fine post, America’s most well-funded poetry-promotion engine, The Poetry Foundation, has managed to remain utterly silent on what is currently the world’s most famous contemporary poem.Read More
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Kent Johnson and the Pros from Dover
I’ve already posted a number of times about Kent Johnson’s A Question Mark above the Sun: Documents on the Mystery Surrounding a Famous Poem “by” Frank O’Hara (see all my posts dealing with Kent here). I haven’t gotten my act together to write intelligently about his book itself, though I will say—in the way of a news broadcast teaser—that it’s a remarkable book that has been overlooked even by those who have discussed it, because there’s a good deal more to it than the O’Hara-Koch controversy.Read More
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Talking Dirty
Without the slightest sense of the comedy, an unnamed staff member at Harriet had this to say about Issue 14 of Printed Project, edited by Lytle Shaw: Shaw wants to interrogate the ways in which various conceptualisms are historicized and related to the contemporary.Read More
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A Mysterious Deference
This from a recent BookForum column by Paris Review managing editor Radhika Jones on one of the leading lights of UbuWeb, the so-called avant-garde archive: [Kenneth Goldsmith’s] position on writing is as follows: Modernism and postmodernism are over, and the literary arts have entered a new technology-driven paradigm. Originality is out the window. “Writers don’t need to write anything more,” he says.Read More
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Another Response to Christian Bök
Over on the Poetry Foundation’s blog, a fellow named Christian Bök—who bills himself as “an experimental writer,” although he also constructs “conceptual artworks” out of Rubik’s cubes and Legos— has posted the sixth (!) in a series of musings about so-called poetic machines, which he rhapsodizes about in terms that would make dear old Kurt Vonnegut spin in his grave. Here’s my comment on his latest…. ________ I’ve been alternately annoyed and amused by Bök’s past postings, but now I see that I’m meant to be only amused.Read More
Joseph Hutchison, Colorado Poet Laureate 2014-2019, has published 20 collections of poems and edited or co-edited three poetry anthologies. He currently directs two master’s-level programs for University College at the University of Denver: Professional Creative Writing and Arts & Culture Management. Joe lives with his wife, Melody Madonna, in the mountains southwest of Denver, Colorado, the city where he was born. 
